It’s been a little while since I’ve found time for this website. But we’ve been working overtime since our trip to France this past Spring. A former apprentice of ours operates his pottery studio in Bretagne, l’atelier Terre précieuse, and we enjoyed a trip that allowed exchange workshops with Olivier Ruaud and Alice Urien Ruaud.
Alice and Olivier enjoy producing the variety of their work using Raku firing techniques–in truth a process that we have given up.
However, after putting in more than 20 years with this technique, we had a lot to share, from using Ferric Chloride to spraying pots with alcohol to bring out the copper highlights, through to using horse-hair and feathers on hot pots.
Olivier and Alice have a beautiful studio in what might arguably be one of the most beautiful provinces in France. Their specialty is “naked raku” which relies on a white slip that cracks and allows amazing images of smoked lines on their work. In addition, they use colorful commercial glazes in concert with this naked process.
We truly enjoyed learning some of Alice’s throwing techniques, and since coming home, we’ve enjoyed creating some items that have derived from her process. It’s truly wonderful to know that we can share our skills while continuing to develop our own.
This year, the annual Cedar and Yellow Point Artisans’ Christmas Tour will start at JoVic Pottery. The tour starts on November 19th and runs for a full five days through to and including Sunday, November 23rd. We’ll have lots of extra brochures for those of you who have yet to get your hands on one. It’s an exciting tour, and the brochure provides a terrific map to assist you on this self-guided foray into the studios and gift shops of the members of this arts association.
Whether you’re looking for art to add to your own collection or some gifts for those lucky recipients on your Christmas gift list, you’re bound to find something special. There’s fabulous variety available too: amazing First Nations art by Noel Brown, whose artistry can be found in galleries around the globe and includes hand carved copper, silver, gold and platinum jewelry as well as traditional cedar carvings; glass work created by Ted Jolda, including his collectible Christmas: paintings, prints and more by the talented Kathy Barnson; and more paintings by Lauren Kent; furniture and wood works painted by the award winning Claudia Lohmann; furniture and jewellery from Yonder Wood; up-cycled funky functional furniture and natural art at the Fern and Feather. But that’s not all, there are wonderful studios that specialize in plants, seeds, herbs and herbal products for your home and garden, including: Hazelwood Herb Farm, Fern Gully Garden, and Seeds of Victoria. Foodies will find special gifts and delicious ingredients at Fredrich’s Honey and Yellow Point Cranberries. There are some quilts, and special Christmas temptations at some of the other locations as well from quilts to iron works, and of course you’ll find our stunning functional and decorative stoneware and raku pottery here at JoVic Pottery, and more pottery at the Blue Ox too.
Plan to make the tour into a few fun days. With some terrific dining choices, from the Crow and Gate, the Wheatsheaf Pub, The CoCo Cafe, to The Cottonwood Golf Club, and some outstanding Bed & Breakfast choices in our area, you’ll be on a holiday getting ready for the holidays to follow. Check the map for yourself, and enjoy a great stay in our beautiful community on Vancouver Island.
At JoVic Pottery, here in Ladysmith on Vancouver Island, it has been our privilege to participate with families memorializing and keeping the ashes of their lost loved ones. We’ve been able to make urns in either a stoneware or raku process. We have made them shaped as Traditional Ginger Jars, or as more round, spherical shaped vessels. We have even had the honor of holding a candlelight service at our studio for one of our customers–a service for which we closed our studio to all but the family and friends in attendance–a customer who has become a treasured friend.
As potters, we have the joy of helping people celebrate all of life’s special moments from birth to graduation from college, for weddings, anniversaries, holidays, birthdays, and more.
But perhaps the most sacred of all is that moment of transcendence from the physical to spiritual stage in a loved one’s life.
The lidded vessels made by request can also filled and sealed with the ashes of the deceased at our studio. This is done with the utmost respect. Stoneware vessels are sealed with wax, and in some cases with an additional item that belonged to the departed loved one. For instance, in one case a beautiful gold chain was worked into the closure. Out of respect and for privacy, these dedicated and specially created urns cannot all be shown in such a post as this. It is important to note, however, that we are willing to individualize such special vessels whenever possible.
Should a customer choose a lidded vessel from our showroom, we’re delighted to assist with sealing if requested.
However, we’ve often found that people want us to create their urn specifically. We then make the vessel from start to finish with the love and respect, with special intention, adding unique touches that celebrate the loved one who has moved on. Custom urns generally take up to two months to complete and range in price from $250 to $450.
The Wonderful Annual Cedar and Yellow Point Artisan Christmas Tour is just a couple of days away. The studio is buzzing with activity. Some of the work that will be out on the shelves is cooling now and will be out of the kiln today. Vic’s amazing alligator-glazed functional and decorative stoneware will fill our showroom with everything from mugs and vases to casseroles.
Jo’s new series, “Quilting on Clay” is truly exciting. Using under glazes on stoneware clay when it’s bone dry can be a little nerve-wracking. As long as clay has not been contaminated or fired, it can usually be re-claimed. However, once I start adding those under glazes, I’m committed to getting it right or tossing it out.
If the work only took an hour or so, that would not be a real problem. But these pieces can take up to two full days to paint.
It’s my love of quilting and needlepoint, both former hobbies that I no longer have time for, that inspire this creative line. I can remember spending time years ago searching fabrics that complimented my choices for making a quilt. When I do this work with clay, I don’t have to choose the fabric designed by others, I get to create the look of my own fabrics while I design the quilt I have in mind.
The work is moving from forms with folk-art painterly fabric approaches to more traditional quilt backgrounds and even to backgrounds with the feel of a final applique design. It’s truly fun.
While not all the work has come out of the kiln yet, I’m delighted with the final results I’m seeing on some of the finished trays now.
I’m sure the tour visitors will enjoy the splashes of color from the truly exciting new pieces. There will also be a great selection of the award-winning modern art stoneware with goblets and trays and more available for people wanting to select really special hand-made gifts that will become treasured favorites this Christmas.
The Cedar and Yellow Point Tour starts on Thursday, November 21st and ends at 4:00 pm on Sunday, November 24th. We’ll be open from 10 – 5 throughout the tour and will have Carol’s Wreathes for Haven House as well as our usual refreshments.
We’re truly looking forward to seeing lots of visitors at our Ladysmith, Vancouver Island Studio. We’re offering 20% off the ticketed price of our gorgeous raku vessels for this Holiday Season. We also have a great selection of clearance pottery and that will be marked down by 50%. It’s a chance for our customers to get a truly great deal on some of the work and will make some room in the studio for the new ideas and creations we’ll want to pursue next year. It’s the 25th year of this remarkable tour and we’ll have maps to guide our visitors to some of the fine local artists in our beautiful area.
After spending a week with Don Ellis at Metchosin International Summer School of the Arts (MISSA), Vic’s re-inspired to do more with Raku. That has resulted in both of us working with raku clay again. I’ve been using some Industrial Raku, with the reminder that this is not a particularly white body of clay. Vic’s been using WSO, but though this clay fires up nice and white, which is terrific when it’s used with a white crackle glaze, it’s also terribly groggy. At MISSA, Vic was hearing about Soldat 60. He picked some up, and yesterday he started making some pots with it. I can hardly wait to see the final results and will be posting some pics later of the new pieces he’s throwing. In the meantime, Edward McCrea came by and started taking some pictures of the firings.